Emo four-piece Sorority Noise have been climbing higher and
higher in the scene over the past few years with the release of their debut
album, Forgettable, and, 2015’s follow up ‘Joy, Departed’. Since forming in
2013 the band have been on numerous US tours and festival appearances, sharing
the stage with bands including Turnover, Modern Baseball and Citizen. They have
also made their way overseas to the UK and Europe for the first time.
Friday 17th March saw the release of the
quartet's third album ‘You’re Not As ___ As You Think’ via Triple Crown
Records. An album that is heavily centred around the struggles of mental health
and the loss of loved ones. Consisting of ten songs that are pained with raw
and honest emotion and an altogether mournful undertone. Despite this, the
message that Sorority Noise have managed to deliver with their third album is
still an uplifting one that has hope at the forefront: tell people you love
them while you still can and never be afraid to reach out for help. This isn’t
a record to be brushed by; to be a soundtrack in the background of day-to-day
activities. This is a record to be concentrated on, to be listened to from
front to back with no distractions. In short, if you’re going to completely
immerse yourself in a new album, make it this one.
The contrast between the bright, uplifting instrumental and
the bleak lyricism is what carries the album but vocalist, Cameron Boucher’s,
brutal honesty is what makes the record such a fulfilling listen. ‘You’re Not
As ___ As You Think’ is the follow-up to 2016’s ‘It Kindly Stopped for Me’ EP
that was dedicated to a close friend that Boucher had lost. This album serves
as the next step as Boucher delves even further into the emotions felt when
dealing with grief. Recorded with producer Mike Sapone, who’s back-catalogue
consists of Brand New and Taking Back Sunday. ‘YNA_AYT’ is not unlike the
former’s second breakthrough album ‘Deja Entendu’.
Album opener ‘No Halo’
showcases Sorority Noise doing what they do best with a loud chorus layered
with jangly guitars as Boucher speaks of missing his friend’s funeral and
driving to their house instead. The track closes with him questioning ‘So when
you show up to my funeral, will you be wearing white or black?’. Boucher’s
questioning within his lyrics is a theme that is followed throughout the entire
album. This is particularly demonstrated in ‘Second
Letter from St. Julien’ where he questions and tests religion throughout
stating ‘If there’s a God do I make him proud?’ before directing his narrative
to the friend whom the song is named after asking instead ‘If you’re with God
am I making you proud by waking up each day?’
‘A Portrait Of’
sees the second reference, of many, to heaven. With a palm-muted guitar under-laying
the vocal melody. The song delves into a hopeful territory as Boucher delivers
a spoken word monologue over a heavily distorted outro where he states ‘I have
to do everything in my power to be the person I can be and live my life the
best way I can.’
‘Where Are You’
and ‘Car’ present a conversational
narrative with the former speaking of wounds being healed and offering a sense
of closure. The latter, an empathetic song about the struggles that come with
mental health issues and facing grief, delivering a comfort that is; even when
you’re feeling completely alone in your struggles there are always people
feeling the same way.
Debut single ‘A
Better Sun’ is a spoken word track with every lyric beginning with the
phrase ‘This is the part where…’ in this vein the song is similar to the teaser
video the band previously released for the record, which displays the album
title being painted and then the blank being filled in with words including ‘hurt’,
‘happy’ and ‘empty’. The way ‘A Better
Sun’ is structured lyrically makes the listener feel as if they could be
filling in the blanks at the end of the phrase. It’s a song that is bound to
make you feel like a part of the album.
Penultimate track ‘Leave the fan On’ delivers the most
downbeat performance on the record with a simple slow instrumental and a set of
lyrics that feel as if Boucher is searching for a direction, answers and
purpose within them, all while remembering ‘what it’s like to feel the vacancy’
in his chest. The song kicks into a strong instrumental towards its end in a
cathartic outburst that feels like a complete outpour and reflection of every
emotion that has been displayed throughout the rest of the album.
By creating an album title that allows the listener to
complete its name therefore making it relate all the more directly, ‘You’re Not
As ___ As You Think’ is bound to leave an effect on everyone who listens. With
a sense of unafraid honesty Sorority Noise have managed to create ten songs
that pull you through the process of loss and grief in an album that leaves you
with a sense of comfort upon its ending, and, an album that people will surely
come back to time and time again to realize that comfort.
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