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Friday 3 March 2017

Album Review: Conor Lane Guitar – 'Origin'


The follow up to last year’s EP ‘8% Mango’ Lane’s debut album sees a massive step-up in both song writing and production.

Having been the lead guitarist for punk/hardcore band ‘Bear Safari’ since 2012, Lane first began writing solo material in 2013 initially under the persona ‘Life in the Fast Lane’. After accumulating three years’ worth of work he then went on to remarket the project simply under the name ‘Conor Lane Guitar’ and released debut EP ‘8% Mango’.

Almost a year on and he is gearing up for the release of his debut album ‘Origin’. Upon asking what the album means to him Lane quotes ‘If this album were to say anything, it would be to show how I interpret the concept of music, and if that can inspire other people as much as it’s inspired me, then that’s more than I could ever ask for.’

Packed with magnificent guitar work, brilliant orchestrations and featuring guest’s solos by Patrick Somoulay, David Lovejoy and Sims Cashion, Lane has managed to create a record that almost feels as if it could be the soundtrack to blockbuster cinema. In short, if you’re going to listen to an instrumental record this month, make it this one.

Opening the record is debut single ‘Graphite’ coming in at full throttle with a tasteful set of riffs before corresponding into a pre-chorus of chugging. With a synth-like build up bringing to song to a quick stop before diving into to the first guitar solo. Graphite acts as the perfect introduction.

2001 DKS’ begins to show the somewhat lighter side of Lane’s song writing, with ambient bass-driven melodies, quite a bizarre song-structure and a beautifully performed guest solo from Patrick Somoulay of Reflections, 2001 feels like a great segway between the opening track and the rest of the album.

Heading back into the grit displayed in ‘Graphite’ are tracks three and four ‘Crimson Cake’ and ‘Miraculous Escape’, the former initially being an instrumental idea for Bear Safari that Lane choose to eventually develop into a solo track. ‘Crimson Cake’ feels like a continuation or sequel to ‘Graphite’ while ‘Miraculous Escape’ features a guest solo from David Lovejoy of Sorrow Plagues and leaves room for a wide range of orchestrations, the type of sounds you’d hear in the build-up within a horror film.

This Town’ pulls the record to a slow-down. As well as ‘2001 DKS’ it’s a track that allows room for the bassline to be most prominent, accompanied by a simple drumbeat and delicate guitar that builds up before crashing into a commanding solo and an outro that makes for one of the most soaring on the album.

Guttural Alpha’ is a gut-punching instrumental that is backed by chugged chords and layered melodies. Track seven ‘MPLESRUP’ makes for the shortest song on the album at just two minutes and five seconds. Although being the shortest it’s probably the most brutal. The excessive use of guitar bends and the drive behind all the instruments makes it clear that Lane wanted to make the most of what the listener gains from these two minutes.

You’re probably in for a surprise with eighth track ‘Summer’ as it’s the only non-instrumental song on the record, featuring guest vocals from Evertim’s Alex Tuck. The song is reminiscent of early ‘Bullet for my Valentine’ material with Tuck switching between harsh and clean vocals throughout and a chorus melody that supports Lane’s instrumental perfectly.

Penultimate track ‘Rafiki’ bares a resemblance to the orchestrations heard in ‘Miraculous Escape’ creating a suspenseful atmosphere as the song begins. Laced with layered harmonies and some of the most driving rhythm section parts on the album. Topped off with an ending that seems to transition into final track ‘Origin’ effortlessly.

Title track ‘Origin’ closes out the record, at a staggering eight minutes long it’s a combination of everything previously heard and if that weren’t enough a guest solo by Sims Cashion adds an entirely new element to the track in what is a truly anthemic ending.

Origin’ will be available from March 8th on ITunes, Spotify, Deezer and Bandcamp.

Watch the official music video for ‘Graphite’ here – https://www.youtube.com/watch?v=tYC1Th5LWiQ

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